The Theatah: An Academic’s Love Affair with the Wicked Stage by Jack Brooking (Beach) and published by AuthorHouse.
I received a copy of this book from a technical director that I worked with this past summer who randomly came across it in New Orleans. The writer was a director for a number of years and eventually retired for some part of his life in New Orleans. This was a very good read and don’t let the title fool you, it’s not some boring academic or some book written in a very dry kind of way. It’s written more in the style of a memoir or diary entries. I really enjoyed reading a book by a director from the perspective of someone who had done a lot of traveling, working in various theatres and places, before spending most of their time as a director at a couple of colleges, while still traveling to Europe and South America, among other spots. There is a good amount discussing the period when they were younger and spent their time acting and writing before going into directing. Their college years at the University of Iowa and it’s theatre department at the time, four summer stocks in various places like Pittsburgh and Red Bank, New Jersey in the late 40’s and early 50’s, and graduate school in Cleveland. It was funny coming across another person who had been to Cleveland and hated it as well. It really is an awful place, don’t go there.
There is a lot included in this book of 551 pages and I like the way they went about just filling it with so much information. This is a good book for anyone in theatre or even if you are not that familiar with theatre, you should find it interesting as well. There is a lot of insight into a lot of what goes on as a director although it is not a book just about the director’s process. There are also things included such as a chapter on their own view of what an actor’s toolbox would consist of, details of physical and vocal warmups, approaches to character analysis, and developing a character. The bulk of the book and which I really enjoyed the most consisted of all the plays they directed and what they remember from each experience. Working on plays by people such as Brecht, Tennessee Williams, Albee, and Inge and how they influenced their work. Discussing some of the issues that had come up during the productions, either with actors, the community, or other technical aspects. I loved reading about coming across old notebooks, scripts with tons of old scribblings, and other things that reminded them of something that was almost forgotten. I hope that when I am older that I will have a lot to look through and remember from all the plays that I have done. I also like a director who isn’t afraid to admit their mistakes and discusses some made along the way and how they dealt with them. They also discuss the types of theatres they worked in and their particular challenges, theatres visited around the world, as well as other directors and actors they met and how they go about things.
There are seven monologues and a one act play included as well at the end. I didn’t find the monologues that interesting. The play called Crossroads, was better. It deals with a writer who is about to start writing the best story ever, their magnum opus or at least in their mind. A kind of story that most
writers I think, always have in the back of their mind but usually don’t ever get to actually writing. The characters in the play that make up most of the situation are the writer’s way of thinking or aspects of it, in person-form and deals with them conflicting and arguing with themselves to a degree. I won’t ruin the end but it is worth reading if you are into plays who’s subject matter deals writing and the struggles with that.
This is a book that I will probably read again from time to time because I really enjoyed reading about them looking back on the plays they did.